Using a colour pallette that was given to us, we filled in a base layer of colour over the line drawing. We used flat, un-shaded colour, and then set the layer to 'multiply', so that the line-work could be seen underneath.
We then added simple shadows using 50% grey, again using a multiply layer.
We could then use the image we had created so far as a base, and essentially using it as a colour palette for more detailed painting. This technique cuts out a lot of time that would ordinarily be spent trying to achieve the correct values.
This was my final result. As with my old lady painting, I set brush opacity and flow to pen pressure, and by holding 'Alt' to select the colour picker, I had an effective method of blending different tones.
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